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    <journal-meta>
      <journal-id journal-id-type="publisher">BJCR</journal-id>
      <journal-title-group>
        <journal-title xml:lang="en">British Journal of Contemporary Research</journal-title>
        <abbrev-journal-title xml:lang="en">BJCR</abbrev-journal-title>
      </journal-title-group>
      <issn>2979-8582</issn>
      <publisher>
        <publisher-name>Bexford Publishing Ltd</publisher-name>
        <publisher-loc><uri>https://bexfordpublishing.co.uk</uri></publisher-loc>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">BEX_JUL_26_253</article-id>
      <article-id pub-id-type="doi">10.67693/BJCR-QJWEL9YY</article-id>
      <article-categories>
        <subj-group xml:lang="en" subj-group-type="heading">
          <subject>Original Research Article</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title xml:lang="en">Conditional Kin: Derridean Hospitality and the Threshold of Belonging in Jhumpa Lahiri’s Fiction</article-title>
      </title-group>
      <contrib-group content-type="author">
      <contrib corresp="yes">
        <name-alternatives>
          <name name-style="western" specific-use="primary">
            <given-names>Krishnapriya V V</given-names>
          </name>
        </name-alternatives>
        <email>krishna400787@gmail.com</email>
        <bio xml:lang="en"><p>Research Scholar, PG and Research Department of English, St. Joseph&#039;s College (Autonomous), Devagiri, Kozhikode, Affiliated to the University of Calicut, Kerala, India</p></bio>
      </contrib>
      <contrib>
        <name-alternatives>
          <name name-style="western" specific-use="primary">
            <given-names>Dr. Moncy Mathew</given-names>
          </name>
        </name-alternatives>
        <email>moncymathew3@gmail.com</email>
        <bio xml:lang="en"><p>ORCID: https://orcid.org/0009-0004-9015-7112 | Professor, P G Department of English Govt. Arts and Science College, Calicut, Kozhikode, Kerala, India</p></bio>
      </contrib>
      </contrib-group>
      <pub-date date-type="pub" publication-format="epub">
        <day>10</day>
        <month>08</month>
        <year>2026</year>
      </pub-date>
      <volume>1</volume>
      <issue>3</issue>
      
      
      <pub-history>
        <event event-type="received">
          <event-desc>Received: <date date-type="received">
            <day>30</day>
            <month>07</month>
            <year>2026</year>
          </date></event-desc>
        </event>
        
      </pub-history>
      <permissions>
        <copyright-statement>Copyright (c) 2026 Krishnapriya V V</copyright-statement>
        <copyright-year>2026</copyright-year>
        <license xlink:href="https://creativecommons.org/licenses/by/4.0">
          <license-p>This work is licensed under a Creative Commons Attribution 4.0 International License.</license-p>
        </license>
      </permissions>
      <abstract><p>This article draws on Jacques Derrida&#039;s notion of hospitality in order to rethink family home as a site where hospitality is never innocent, complete, or secure. Home is looked at as a threshold governed by an unstable relation between welcome and refusal, and Derrida, in his work Of Hospitality (2000), categorises hospitality based on two laws: the “unconditional Law of hospitality” and the “conditional laws of hospitality”. The two separate forms of hospitality, together with his account of ‘hostis’, a term that shares its root with both ‘host’ and ‘hostile’, Derrida gives an account of how hospitality is put into practice. The domestic household in this regard becomes a space where affection is often inseparable from judgement; at the same time, intimacy is always tainted with the power to exclude. This enables a diverse reading of the family home as a structure that is always shadowed by its possible revocation at any time. By examining the two short stories, “Unaccustomed Earth” and “Hell-Heaven”, from Jhumpa Lahiri’s collection of short stories Unaccustomed Earth (2008), this article portrays family home as a site where hospitality is never innocent, never complete, and never secure. When read together, the two select short stories not only talk about estrangement or return but also stage hospitality as an aporia, a domestic promise whose possibility depends on the very limits that undo it, and in doing so, the article shifts the idea of homecoming away from recovery and loss towards sovereignty, legibility, and the fragile ethics of welcome.</p></abstract>
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